Con una buena ristra de conciertos exclusivos y, suponemos, más densa que ligera campaña promocional a nada de ser quemada, un ya común leak o "accidente" obliga a Björk a lanzar su álbum a la venta dos meses antes de lo que apuntaba la previsión (interna, ya que no se habían revelado fechas definitivas); la cantante islandesa, que no publicaba ningún álbum de estas características desde "Biophilia", se ha visto dominada o condicionada por la situación real de una industria que intenta coger de los cuernos a Internet pero que sigue viéndose desequilibrada continuamente por aquello de ir contracorriente. 

Es anecdótico que una artista que siempre ha comulgado con los avances tecnológicos y la progresión creativa, haya planteado desde el principio su estrategia para el larga duración de forma inadecuada. O quizás era el objetivo? Evidenciar que tras ser filtrado tu preciado material con meses de antelación la única salida es ponerlo a la venta, persiguiendo el objetivo de causar un impacto sustancial que arañe, al menos, algunas de las ventas que se habían vaticinado? 

En la nota que acompañaba el anuncio del "cambio de planes", Björk habla sobre el proceso de maduración del trabajo, desengaño amoroso, la intervención y buena relación con Arca o The Haxan Cloak, y con un tono presuntamente modesto, agradece al mundo entero su fiel apoyo. En dichas palabras, no existe ni una palabra de queja ante las circunstancias que han desencadenado el suceso: el nuevo álbum de Björk, "Vulnicura" ya está disponible para su adquisición, sin parafernalia ni teasers. 

"i am so grateful you are still interested in my work !!

i appreciate every little bit !!!

i wanted to tell you the tale of making of this album

i guess i found in my lap one year into writing it a complete heartbreak album . kinda surprised how thoroughly i had documented this in pretty much accurate emotional chronology …. like 3 songs before a break up and three after . so the anthropologist in me sneaked in and i decided to share them as such . first i was worried it would be too self indulgent but then i felt it might make it even more universal . and hopefully the songs could be a help , a crutch to others and prove how biological this process is : the wound and the healing of the wound . psychologically and physically . it has a stubborn clock attached to it .

there is a way out

and then a magic thing happened to me : as i lost one thing something else entered . alejandro contacted me late summer 2013 and was interested in working with me . it was perfect timing . to make beats to the songs would have taken me 3 years ( like on vespertine ) but this enchanted arca would visit me repeatedly and only few months later we had a whole album !!! it is one of the most enjoyable collaboration i have had !

i then went ahead and wrote string and choir arrangements and recorded them in iceland

towards the end of the album i started looking around for a mixing engineer and was introduced by a mutual friend of ours , robin carolan to the haxan cloak . he mixed the album and also made a beat for one half of “family” . together with chris elms the engineer we kinda formed a band during the mixing process and this is the album we made !!!

i do hope you enjoy it

i would like to thank this overqualified little team ( where roles often blurred )

. i also would like to thank robin , his generous approvals gave me more courage to complete this as is .

and my group of songswapping / dj friends : the right tune can truly cure : ta for those sonic ointments

but most of all i would like to thank my team : james merry , derek birkett and emma birkett . rosemary and elisa . this album could not have been done without you."

@FrankiePiza